ComingSoon had the great pleasure of speaking with Spoonful of Sugar cinematographer Nick Matthews, who offered a unique insight into his craft. He also spoke at length about working alongside ...

Cinematographer Earle Dresner wasn’t always supposed to work on the AMC+ series Anne Rice’s Interview With the Vampire. However, when the show’s longtime director of photography, Stuart Howell, was ...

“It's a very innovative show…everything in front of the camera is designed by somebody, is created by somebody,” describes Dean Cundey of “The Mandalorian, “There's nothing off the shelf. It's all a ...

This interview with “Living” cinematographer Jamie D. Ramsay first appeared in the Below-the-Line issue of TheWrap’s awards magazine. Oliver Hermanus’s “Living,” a 1950s-set remake of Akira Kurosawa’s ...

Early in Netflix’s “Maestro,” the audience sees a “God’s POV” shot of composer Leonard Bernstein (played by Bradley Cooper) waking up, running through hallways and arriving at Carnegie Hall.

In cinematographer James Kniest’s eyes, psychology is the hidden element that makes a show like “The Midnight Club” spooky, along with other more obvious ingredients like a haunted hospice house, ...

Rei is an Editor for GameRant's Evergreen and Features teams from Kashmir, situated in Beirut. He's an avid fan of anime, manga, and gaming. He is the author of some of the articles here that you ...

When cinematographer Mandy Walker boarded Elvis, one of her principal goals was to make the camera “dance with” the King of Rock and Roll, as played by Austin Butler. This vision on the part of the DP ...

Arezou is a writer for Collider. She has a wide-ranging knowledge of movies and TV, which means she almost certainly will start quoting something mid-conversation. While she has always wanted to work ...

If you’ve begun watching The Midnight Club on Netflix, you may have noticed the tag “Part of the Flanaverse” affixed to the new series. Though the individual entries in said universe aren’t ...