Maximilian Schmitt/Polina Pasztircsák/Max Urlacher/Freiburg Baroque O/René Jacobs (Harmonia Mundi, two CDs) A studio-made recording of the 1821 German opera that influenced generations of composers ...

Trying to giveCarl Maria von Weber’s “Der Freischütz” (“The Marksman”) a contemporary twist is fraught with peril, since magic, omens and the power of the natural world are integral to this 1821 ...

Because the University of Houston has some "baby dramatic sopranos and baby dramatic tenors," Moores Opera Center director Buck Ross can give Houston opera fans a spring bonus: Carl Maria von ...

MELBOURNE Opera has nudged into new territory and notched up one of its greatest successes with this new production of Der Freischutz(The Marksman). Last seen in Melbourne in 1969, it has returned ...

2026 commemorates 200 years following the death of Carl Maria von Weber, a decisive figure in the development of German opera in the Romantic era. The American Symphony Orchestra performs the composer ...

Der Freischütz or The Freeshooter is a German opera with spoken dialogue in three acts by Carl Maria von Weber with a libretto by Friedrich Kind. It premiered on June 18, 1821 at the Schauspielhaus ...

You have reached your maximum number of saved items. Remove items from your saved list to add more. Sally Wilson as Agathe and Jason Wasley as Max in the Melbourne Opera production of Der Freischütz ...

Vasil Garvanliev is excited about playing his first bad guy in opera. And what a bad guy: as the character Kaspar in Opera Atelier’s Der Freischütz (The Marksman), which opened Oct. 27 at the Elgin ...

Opera Atelier’s first venture into German Romantic opera, Der Freischutz (The Marksman), is an impressive work, both musically and visually, though it doesn’t always hit the bull’s-eye. Artistic ...