It could have been the booze or perhaps giddiness at the coming of spring and daylight-saving time, or maybe it was just because it was the last night of their Los Angeles residencies, but Ed Harcourt ...
British singer/songwriter/pianist Ed Harcourt has announced a new album, Beyond the End, and shared a video for its first single, “Duet For Ghosts.” Beyond the End is due out November 23 via Point of ...
Ed Harcourt's recently released The Beautiful Lie is a far cry from his early work. Its emotional piano balladry sounds little like the experimental exercises found on Here Be Monsters or Maplewood.
Ed Harcourt is another sleepy-voiced, tastefully appointed singer-songwriter from Britain. But unlike the more ambitious Chris Martin (Coldplay) and Badly Drawn Boy, Harcourt shuns lugubrious concepts ...
His new album, Lustre, is his first for four years, and has been scooping up rave reviews on account of its powerful songwriting and impeccable production. However, Harcourt live is a different ...
Ed Harcourt: Hope For Hopeless RomanticsIt's no secret that brains and hearts speak vastly different languages, but British singer Ed Harcourt is conversant in both. "Haywired," from his stellar new ...
His new mini-album, mercifully concise (at 28 minutes) in this time of digital ramblings that far exceed the useful rigours imposed by last century’s LPs, is billed as a stab at something more ...
Ed Harcourt is a cult favorite as enduring as The Rocky Horror Picture Show and Tom Waits. The Brit’s overlooked, genre-bending debut, 2001’s Here Be Monsters, drew comparisons to Waits’s theatrical ...
"Strangers" is hardly the pop equivalent of a confetti cannon. But coming from British crooner and keyboardist Ed Harcourt, who's often been accused of taking himself far too seriously and soul ...
Singer-songwriter Ed Harcourt follows up his Mercury Music Prize-nominated debut, 2001’s Here Be Monsters, with From Every Sphere, a dozen songs picked from sunniest of graveyards and gloomiest of ...
When much of a musician’s art focuses on decadent layers of fancy instrumentation, it’s often difficult to separate the bells and whistles from their more sparse foundation. And so when said artist ...
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