It’s how Zemeckis presents it. Told from a single angle at about seven o’clock in the film’s only location, Here tells the ...
Director Robert Zemeckis is used to conjuring the impossible ... He made three entire movies exclusively using performance capture technology. And on and on and on. His latest film “Here ...
A B- CinemaScore signals a general disinterest, which certainly doesn’t bode well for the film’s future at the box office.
Director Robert Zemeckis has always been fascinated by new technology. From early motion capture techniques in “The Polar Express” and “Beowulf” to stop motion gimmickry in “Welcome to ...
Robert Zemeckis has always been about a great technological or storytelling conceit in his movies whether it’s the ...
Filmmaker Robert Zemeckis has always been as much a technician as a storyteller.
Robert Zemeckis combined live-action with animation in Who Framed Robert Rabbit, used digital effects to place Forrest Gump in historical footage, and pioneered motion-capture technology for The ...
It was only a matter of time before Robert Zemeckis got ... speaks to a larger problem for Zemeckis: the way he’s continued to fixate on pushing the limits of motion-picture technology at ...
Photo-illustration by Gluekit for TIME; Source images: Everett Collection (4), Sony Pictures (2) Robert Zemeckis’ Here ... been a proponent of performance-capture and other digitally advanced ...
Here, Robert Zemeckis' latest movie with Tom Hanks, finds the director still stranded in the digital abyss that ruined The Polar Express, Beowulf, and others.