Artists exhibiting at Brussels’s Établissement d’en Face are faced with an unusual choice. The long-standing artist-run space ...

Artists exhibiting at Brussels’s Établissement d’en Face are faced with an unusual choice. The long-standing artist-run space is currently situated in a former law… ...

Yoshio Taniguchi’s 2004 expansion of the Museum of Modern Art integrated the glass buildings on either side of the museum so that when you are sitting towards 54th street, in the Cullman offices, in ...

Within the flood of new trans memoirs and books offering their definitive takes on trans theory in the past few years, I gratefully found hannah baer’s book, Trans Girl Suicide Museum (Hesse Press, ...

Pablo Picasso is so famous and so ubiquitous and so dead that he is easy not to think about at all. It’s as though his most renowned artworks are in the next gallery along with his clownish public ...

Shelly Mars has always been interested in what we should not talk about, and as a result, she has for the past forty years faced constant criticism and pushback. Nonetheless, the multifaceted ...

Ursula Biemann has been challenging, and excavating, how knowledge is produced for thirty years now, but in the past decade she has turned her attention to the environment. Her fieldwork has ...

I got lost several times on my way to Casa Susanna, the exhibition I had set out to write about. It was a sticky Friday night in July—“date night” at the Metropolitan Museum of Art, as the Met ...

A soft, warm light morphs into a shadow of a woman’s braided hair on the back of her neck. There is the sound of faint footsteps as she moves around her flat, shifting objects in the kitchen, the ...

Pizandawatc / The One Who Listens / Celui qui écoute, a recent exhibition at the Art Museum at the University of Toronto (AMUT), draws its title from the traditional name of artist Caroline Monnet’s ...

The best way to fuck something up is to give it a body. A voice is killed when it is given a body. Whenever there’s a body around you see its faults. The question is, now, in an artworld and social ...

I saw Fratino’s work not only during my commute, but online and across social media, where it easily took up residence. Despite some later critical reservations of my own, it was nice and exciting to ...