Early 1970s film stock, which was dominated by Kodak's Eastman Color Negative II (5247), gave pictures warmer, more saturated ...
Howarth tells IndieWire about spending months on one sound and collaborating with James Cameron and other departments to ...
The other aspect of this process that Coelho recalled was how they filmed it both with a process trailer (which is a piece of ...
"F1" cinematographer Claudio Miranda on creating tension through framing and why the Las Vegas scene was challenging.